Sample text. Stuff will go here...and lots of it.
context traps, things you can set up to collect information and circumvent the "biography affect"
I say in advance we are wrong.
Basic model of analyzing any work applied in a slightly different order.
Content: subject matter / intent / actual work.
Esthetic: style, the hardest to describe, but usually what draws someone to a work. And yes the spelling is deliberate.
Technique: how it was done.
This is supposed to be a thumbnail sketch technique that anyone can apply quickly to begin engaging with a work. It scales beautifully and unlike "critical theory" is useful.
I've been a soldier, a student, a civil servant, a manager but no matter what the uniform I've worn I've always been an artist.
Having one of the worst memories, I am excited by the idea of life as a living archive where we can accumulate, organize and reflect into an automatic biography.
In 2007 I founded Soi, a think-tank that tries to bridge the gap between creativity and reason while helping artist to navigate an often hostile world.
Explore / Engage / Map Spaces